"EVERY BREATH YOU FAKE" a Short Film by JUN KIN
Wednesday, October 30, 2013
“RIGOR MORTIS” 殭屍 Movie Review. A Potpourri of Incarnate Horrors.
Labels:
“RIGOR MORTIS” 殭屍 FILM REVIEW,
HORROR FILM,
JUNO MAK
Monday, October 21, 2013
“MAKE YOUR MOVE” Movie Review. A Re-imagining of WESTSIDE STORY Musical with Awesome Touches of DIRTY DANCING.
“MAKE YOUR MOVE” PRESS PREVIEW
“MAKE YOUR MOVE” might fit the bill if you are thinking of a pretty-good movie to bring your loved one for a romantic romp, but it’s really crafted for a young and trendy crowd.
Nonetheless, you can still clap your hands and stomp your feet …..
MOVE to the rhythm,
DANCE to the beat ……
And ROCK THE BOAT.
This is a musical movie destined to steal your breath away.
It’s oozing with loads of oh-la-la dancey energy here, in ‘MAKE YOUR MOVE”, with the leads DEREK HOUGH (BALL ROOM CHAMPION from UTAH) and BoA (KOREAN POP SINGER) taking center stage to ignite the sexy slick moves.
So strap on, stay braced as you watch the two animals grinding and pawing each other in heat.
“MAKE YOUR MOVE” peremptorily breezes you through some spectacular dance numbers in a Romeo and Juliet style musical directed by DUANE ADLER.
The dancing parts by the leads are awesome. You can observe the passion for dancing in their eyes and steps. The moments they dance together you see their bodies grinding with sexual joy and passion.
The movie comes alive when the screen characters burst into dance.
The star crossed lovers whirl you through a sordid background of New York gangs who run the city’s hottest underground nightclubs.
Our hero is DONNY (DEREK HOUGH) a New Orleans tap dancer who has just been released from prison where he served his term for getting involved in a street scam.
AYA (BoA) is an ethnic Korean born in Japan; her US visa is on the point of expiring,
They both meet under unexpected circumstances, but both suddenly feel they have the hots for each other.
I am nether a fan of ballroom dancing or K-Pop, but this movie certainly brings you closer to some of the best choreographed numbers, as in this case, it’s tap, hip hop, tango and trapeze. Not forgetting performing the drum-as-you-dance sequence.
“MAKE YOUR MOVE’ is in part, a re-imagining of THE WEST SIDE STORY” Musical with awesome touches of DIRTY DANCING. I was expecting some silly garbage, but heavens no, this one is really good.
If music is your cup of tea, then go watch it.
Labels:
"MAKE YOUR MOVE" FILM REVIEW,
BoA,
DEREK HOUGH
Monday, October 14, 2013
“THE RELUCTANT FUNDAMENTALIST” Movie Review. For the Arts Buff, a Reel Treat.
“THE RELUCTANT FUNDAMENTALIST”
PRESS PREVIEW
If you are an avid arts buff, this film can do you no wrong.
With the present avalanche of whimsical superheroes and awesome CGI features flooding the saturated market place, this one’s surely a welcome respite.
It’s different, it’s a reel treat.
“THE RELUCTANT FUNDAMENTALIST” guides you through an intriguing world of exotica whilst you sit agape.
It is based on a political thriller novel by Mohsin Hamid.
This movie adaptation helmed by Mira Nair combines culture, religion (to a certain extent), romance, finance, all of which are witnessed by a young Pakistani man Changez (Riz Ahmed) who is being transformed from being an ambitious Wall Street capitalist relegating to a mere Muslim scholar in Lahore when he returns to his homeland.
What brought about the change?
The dehumanization of culture and creed he experiences as a Muslim in New York in the wake of the 9/11 horror has changed his beliefs about the white people mingling around him in the real world.
He sees racial prejudice everywhere being meted to his brown skinned comrades.
Harassed at airports for security checks, despised by wary citizens, and unfairly questioned by the US government over terrorist actions, his growing resentment and disillusionment brought him back to his country to lecture at a local university
Then in 2011 with the kidnapping of a U.S. diplomat in Pakistan, Changez is drawn into another conspiracy.
Bobby Lincoln (Liev Schreiber), a journalist with extensive experience in covering political issues in the East, arrives at Lahore to interview him about the “new militant academia” that has been causing international unrest.
Changez’s family has been suspected of involvement with radical causes, and in an adamant, unaffected manner, he recounts to Bobby on his present principles.
“THE RELUCTANT FUNDAMENTALIST” is an engaging film that paves the way for some soul-searching questions about the reality created by religion upon this troubled world.
It has the best efforts of some really fine actors such as Liev Schreiber, Kate Hudson and Kiefer Sutherland.
But it is Indian actor Riz Ahmed who plays the lead Changez that the film centres on.
His compelling performance steals the thunder from the competent all star cast.
This film is worth a watch, specially for the arts buffs.
Don’t miss it.
Thursday, October 10, 2013
“INSIDIOUS CHAPTER 2″ MOVIE REVIEW. Yet another Round of ghoulish Haunts.
“INSIDIOUS CHAPTER 2″ PRESS PREVIEW
Do you believe in Ghosts?
It depends, right?
Yet before you can even pause for a soul-churning answer, hey presto ….
the film director JAMES WAN, his motley crew and cast of “INSIDIOUS” return in a jiff to hastily whisk you off your feet and ferry you through another dimension of his ghoulish haunts, just in case you haven’t braved enough of his scares the last time.
Money spins the world, hence every film maker is eager to jump onto a proven bandwagon.
Haunted house remakes reap lucrative returns at the global box office, this much you can be assured.
For a fact, there are myriads of horror features queuing up in the pipeline for cinematic release.
All old houses have their own tales, and are reminiscent of some kinds of haunts.
So it’s mind over matter.
Are ghosts for real?
Here’s a brief synopsis for INSIDIOUS CHAPTER 2:
The movie is touted by the production company as a terrifying sequel to the first one. Is it?
This time, the Lambert family is adamant about uncovering the mysterious childhood secret that has left them dangerously connected to the spirit world.
They are soon to realize that the demons that possessed their youngest son have not been eradicated.
So Josh (Patrick Wilson) and Renai (Rose Byrne) call in a variety of paranormal experts in a desperate attempt to track the origin of the nightmarish happenings.
The investigation delves into Josh’s troubled childhood and his connection to a mentally unstable man from his past, along with untold secrets from his mother (Barbara Hershey).
Josh Lambert (Patrick Wilson), now a dad, is still being hounded by the supernatural, similar to how he was as a kid in 1983.
This time, his son, Dalton (Ty Simpkins) is implicated as well.
We are shown that the souls of both the dead and alive end up being caught in the “neither world”.
Josh also has to travel back in time to seek help from himself in 1983.
Confused?
Apparently so, if you do not focus.
Director JAMES WAN is trying to cramp too much on an overloaded platter of mysterious crashes, moving objects, angry ghosts and hungry apparitions.
“INSIDIOUS CHAPTER TWO” is indeed, a watered down version of the first chapter and it has a bit of everything from all of the director’s body of work.
Ask not too many questions if you wish to enjoy the scares.
And if the box office for this Chapter 2 is encouraging, you can be assured that the excitement will continue in Chapter 3.
Righto?
Now, are you ready to go for the chills?
Tuesday, October 8, 2013
“RUNNER RUNNER” Movie Review. Payback can be Sweet.
“RUNNER RUNNER” PRESS PREVIEW
What topic would you consider to be the safest bet when you have a film in the pipeline?
Throwing in a couple of eye-catching hunks might just work, such as JUSTIN TIMBERLAKE and BEN AFFLECK.
Their names help to pave the way.
The participation of a beautiful female interest as GEMMA ARTERTON would heighten expectations.
Rope in a competent director as in this case, it is BRAD FURMAN.
The script is of utmost importance, so enlist an award winning writer to pen an intriguing crime story set against the world of online gambling. Super idea.
There, we have this gambling feature RUNNER RUNNER, all set for a blockbuster release.
Only that something has gone awry.
There are holes in the plot, but we don’t really care, as we have two male leads in the acting arena pitching for narrative attention.
RUNNER RUNNER is indeed formulaic, you would know what’s going on, from start to finish.
What’s conspicuously overlooked is the director’s film treatment. It’s jerky all the way.
The storyline:
Princeton undergraduate cum gambling whiz kid Richie Furst (Justin Timberlake) loses his entire savings on a rigged poker website.
Upon discovering he was hoodwinked, he ventures to Costa Rica to confront the site’s owner, Ivan Block (Ben Affleck).
Ivan sees the situation in his favor and promptly offers him a lucrative job as his right-hand man to tackle unpleasant situations.
Seduced by the lure of bright lights, money and sexy babes, Richie accepts.
Little does he know that there’s evil under the sun, hidden behind the business facade that Ivan has set traps for him.
And all doubts diminish when an FBI agent (Anthony Mackie) accosts Richie to enlist his help in Ivan’s criminal activities.
Richie hatches a scheme to escape before exposing his corrupted boss for making him a scapegoat.
There’s so much an actor can perform when he is bestowed a bland script.
Devoid of the suspense that holds you in a viselike grip, the film meanders at snail’s pace.
For fans of Justin Timberlake and Ben Affleck, this one’s for you all.
Labels:
"RUNNER RUNNER" FILM REVIEW,
BEN AFFLECK,
GAMBLING THRILLER,
GEMMA ARTERTON,
JUSTIN TIMBERLAKE
Wednesday, October 2, 2013
“THE BUTLER” MOVIE REVIEW. Inspired by Actual Events. Yet Truth is Stranger than Fiction.
“THE BUTLER” PRESS PREVIEW
For starters, even if you strip away whatever’s left of this political decorum, the movie will still be able to sustain by itself .
Every bit a commercial entertainment piece, it highlights the plight of African Americans fighting for racial equality.
It is an arresting work of art that cajoles you on a nostalgic journey down memory lane.
“THE BUTLER” is a 2013 American fiction drama directed by LEE DANIELS.
It is a cinematic triumph.
Writing credit goes to DANNY STRONG, backed aptly by a majestic ensemble cast.
FOREST WHITAKER is at his best as CECIL GAINES, an African American who was stressed by all kinds of unhappy encounters he faced during a tumultuous period of the 20th Century,
In REAL, the entire film is loosely based on a real life of butler Eugene Allen, who toiled at the White House from 1952 to 1986, serving eight presidents before his retirement.
“THE BUTLER” has been dogged by bad press bombarding it for historical inaccuracies.
Richard Epstein, a Professor of Law at New York University declares the movie as “full of hype”.
He derails film director LEE DANIELS’s misrepresentation of America’s racial past by sensationalizing the Eugene Allen story for box office profits.
The film’s protagonist Cecil Gaines (WHITAKER), witnesses the cold blooded murder of his father, and sees his mother being raped by a white man farmer, but these incidents never took place in real life.
In the movie, Cecil has two children, one who goes to the Vietnam War and the other becomes a Civil Rights pioneer;
This is far from the truth as Cecil actually had only one son.
Later Cecil works in a lavish hotel, and from there is invited to work at The White House.
He is nervous when he first meets President Truman (Robin Williams), then he becomes accustomed to each First Family for whom he works as the years roll by.
Cecil is the central figure for the history that we see unfold, not just as a butler but also as a husband and father.
OPRAH WINFREY captivates in a wonderful performance as Gloria, the lonely, hard-drinking wife.
WHITAKER excels in this film.
He dresses his character a with a stoic grace and dignity,
“The Butler” is meticulously structured.
It also features A-listers in cameos, including Mariah Carey, Lenny Kravitz, Robin Williams, Vanessa Redgrave, John Cusack, Liev Schreiber and Jane Fonda, who plays the former first lady Nancy Reagan.
The film is evocative, haunting and thought provoking.
You are likely to remember this after you leave the cinema.
Go for it !
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